
Ivan Mazuze
Jazz Musician and Producer

Ivan Mazuze stands as a defining voice in world jazz, an internationally acclaimed composer and saxophonist who masterfully intertwines the rich tapestry of African heritage with the innovative spirit of contemporary jazz. Originally from Mozambique and now based in Norway, his artistic journey is marked by scholarly depth, entrepreneurial vision, and global resonance.
His academic foundation includes studies in jazz composition and a master's in ethnomusicology from the University of Cape Town, informing a practice that is both intuitive and intellectual. This dual perspective laid the groundwork for a prolific career, launched decisively after winning the Old Mutual Jazz Competition in 2002. Mazuze soon established his own production company, leading to the release of his seminal debut album, Maganda (2009). The album announced a major new talent, sweeping awards including a South African Music Award for Best Contemporary Jazz Album and two Mozambique Music Awards.
Mazuze has since solidified his reputation through a series of critically celebrated albums. Each project—from Ndzuti (2012) and Ubuntu (2015) to Moya (2018)—explores new sonic geographies while remaining rooted in African identity. His latest work, Penuka (2024), represents a bold synthesis, weaving Arab and Indian influences into African rhythms and jazz improvisation, praised for its ambitious artistry.
As a performer, he has captivated audiences at premier festivals worldwide, from the Oslo and Copenhagen Jazz Festivals to WOMEX and the Havana International Jazz Festival. His collaborations read as a who's who of global jazz, featuring legends like Hermeto Pascoal and Omar Sosa.
Beyond performance, Mazuze is a respected cultural architect. He has been instrumental in fostering dialogue through initiatives like International Jazz Day and holds influential roles such as board member of Oslo's Cosmopolite Scene, advisor to Arts Council Norway, and artistic committee member for the Norwegian Jazz Forum. A recipient of numerous grants and scholarships, his work is consistently supported by Norway's leading cultural institutions.